I don't blame you for being skeptical. Yes, I'm assuming that you are reading this post because you are looking for a truthful review about the Gigmasters service. Let me immediately point out that we have absolutely no affiliation with Gigmasters. We are not paid or compensated in any way for the information we post.
The ONLY reason this article exists is because I am a member of Gigmasters, and wanted to share my thoughts on the service for those who are considering giving it a try. With that said, if you are looking for a complete and honest review, you have found the right place.
Before I say anything about their services, I would like to talk about a stigma that exists with musician services. Nowadays if you search for musician services online, you are going to be bombarded with choices. Every one of which claims to be "the only and the best" of its kind. Unfortunately, this can devalue the credibility of similar services. It certainly damages the authenticity. But aside from the mass competition that may exist, there is a stronger cause that stirs trouble when it comes to gauging how well an online promotional service works; the artists/musicians who use them.
To be blunt, there are too many unqualified musicians out there. I am not trying to offend anyone, but it is important to distinguish between those who "want" to be a musician from those who have actually spent time mastering their craft and become a "musician." Why? Because if you are asking someone to pay for your product, you need to have a product that the client feels is worth paying for.
Like they say, "A team is only as good as it's weakest member." This can be said for the relationship of a music service and the artist who is using it. Gigmasters is no exception. I have viewed many profiles, and thought to myself, "Wow. That is not very good." Not surprisingly, those were the artists who had not booked any or many gigs. On the flip-side, I have seen profiles that have been hired for many gigs, and thought, "Wow. They have their music AND presentation together."
If you are considering paying for a service, please don't take it on half-heartedly, expecting to do little to no work and have the system do everything for you. I'm not saying Gigmasters does not make things easier. Just be prepared to put some time and professionalism into this, and you will have much better results. Gigmasters does not create better musicians, it creates more opportunities for everyone that uses their service.
OK… Since that is out of the way, lets move on.
Gigmasters Pricing
Gigmasters is divided into three pricing plans; Basic, Professional, and Gold. The differences in each include location radius, categories/genres, storage space, and of course the price you pay for it. Here is a pricing chart as of 2/26/2012.

- Travel Radius – This means that customers are more likely to find you if you are within the travel radius from the event's location. Being within a 3000-mile travel radius (as per the Gold Membership) is absolutely going to get you more views. But, if you aren't prepared to travel 3000 miles, then what is the point?
A good thing to note is that Gigmasters allows you to set a specific travel cost for the client to pay. This distinction between your performance cost and the travel/lodging cost is important, as the client may already have arrangements of their own for you. This allows them to hire you for your performance cost, and provide their own travel/living arrangements.
But again, If you are assuming that this plan will land you gigs where you can travel the world, with travel and lodging expense paid for, you better be sure that your musical performances are that good. And even more importantly, you'll need to be able to prove that in your profile.
Looking at the Basic Membership, I don't feel like a 100-mile travel radius is all that much. I am personally ready to sit in the car for 2 or 3 hours, and still charge a fair rate, without having to ask the client to put up money for travel or loding. This all depends on you.
I signed up for the Professional Membership. The problem I have had with Travel Radius is that many of the gigs that have come my way have been for special occasions that only require an hour of music. Usually (in such cases) the client is not looking to spend that much money for a 1-hour performance. I do not want to drive 3 hours to a venue and 3 hours back for a show that only pays a minimal amount. When I have bid on such events, I charged more than I normally would, and did not get the gig, as they usually end up hiring someone in their area for less money.
- Categories and Genres – These are part of the filtering system that is used by clients to find you. There are many genres/styles associated with a category. The category is the main definition of who you are (ex. Solo Performer, Band, Dancer, etc.) The important thing here is that the categories and genres are not extra redundant for the purpose of getting an artists to upgrade. These categories and genres are pretty clear and to the point. I found that 12 Categories/Genres was plenty for me. Which brings up a good point…
Quite often, I have seen artists list their music in directories, choosing every possible genre that they could. In their minds, they are thinking more genres equals more exposure. This is true only up to the point that you are still correctly identifying yourself. Choose the categories/genres that accurately describe you and not by what you think will gather the most views. What good is a visitor if they are unqualified for what your selling?Note: You are able to choose one category, and then a multiple amount of genres that fit that category. I am able to play as a solo performer and as a band (I have a duo act.) But, I was not able to choose both. I understand why – Accuracy in matching is extremely important. This is what keeps Gigmasters a credible service to both the performers and the clients. If you are hoping to promote more than one act/band, you owe it to yourself to set up additional accounts, and try to ensure that they do not overlap each other. They should both be distinct to capture the right audience.
The problem with my account, is that my acts are not all that distinct. I can play the same songs as a solo performer or as a duo. This can make quite a difference in the sound, but having two profiles would likely overlap quite a bit in the search results, and I'm not sure it would be worth the money to pay for two accounts.
- Storage – Pretty self-explanatory. You can host your videos and music on the Gigmasters site. In fact, by doing so, you'll attract more views, as an icon shows up in the search results to let clients know which performers have videos, mp3, and other features available. However, I've found that with the great compression that an mp4 file can create, I do not need to host every song I've ever recorded to give the client an idea of what I can do. Pick some of your best material, and upload it.
You've Signed Up. Now What?
Now is not the time to be lazy. After all, you just paid money. Don't let it go to waste. Gigmasters provides a status bar that indicates how complete your profile is, and it advises you on what you should do to have a full profile that will gather more results. I found this process very easy. In fact, you can even import your song list via CSV, and have it parsed and formatted in the Gigmasters display. This can be a great benefit for those who want to list all their material without entering all the information one song at a time.
You'll be able to set your pay-range (how much you are willing to work for) to help ensure that the leads you receive are accurate, qualified leads. With the dashboard, you can provide a full description, testimonials, past and future shows, group members and more. It will build a complete profile and create a nice display page with the information. The URLs are configurable. This means you can change the words in the URL that point to your profile page.
With my own profile, it is marked as about 90% complete by Gigmasters. But it is not done as well as it should be. When I have the opportunity to provide more professional material (pictures, videos, etc.) I will update the profile accordingly. It makes a BIG difference. I know this by viewing other profiles and the amount of gigs that they have booked.
Much of the information you provide is used to ensure that the leads you receive are qualified. Not only is this a convenience for you, but also to the clients looking for performers. By creating a great profile, you'll be sure to get more qualified leads and less waiting time.
Matching Clients With Performers
Gigmasters does a pretty good job with matching. Most of the leads I receive, are suitable matches. I do wish that there were a way to better match the amount you are willing to play for based on criteria such as travel and performance time. As I said earlier, I wouldn't travel 3 hours for a 1-hour show. In most cases a low performance time is going to mean less money. However, I would be happy to travel 3 hours for a 4-hour show (in most cases) because the client is then usually prepared to pay more money due to the length of the performance. Most of the leads I have rejected have been for this reason.
The other problem I have had with leads is due to one of the genres I selected for myself (wedding band.) This seems to be a bit vague, as many people have different expectations when it comes to a wedding band. The term "wedding band" does not clearly identify if the client is looking for music for a wedding ceremony or reception. A ceremony is likely to require classical music (usually on an organ,) whereas reception parties often require something more hip, like Top 40 music.
I'm Ready! How Long Must I Wait For A Lead?
There is no single answer to that. It depends on several factors. But here's the good thing. The way I have come to understand the system is that you'll receive an alert, before the client actually views your profile. This is good for a few reasons – you are going to get more alerts, and you can use your response time as a factor to getting the gig. It's not always "first come, first served," but by showing immediate interest, you'll have a better chance of getting the gig. Remember, the client may be anxious to make arrangements. A performer who waits a week to submit their bid is less likely to win.
Other things to consider are the time of season. Depending on what kind of performer you are, there may be busy and slow seasons. As an example, there are many weddings in June or in the summer time, compare to winters. In general, I've found winter seasons to be slower for booking (not just at Gigmasters.) Many of the venues I play at don't attract the same kind of business in the winter time. People don't like to go out in the cold, or drive on dangerous snowy roads. Also, many of the venues I play at offer outdoor eating/drinking locations where they like to have their music. These are usually closed in the winter, unless you live in an area that stays warm throughout the winter months.
I live in a very rural area. There are not many clubs and events in this immediate area. Although I have expanded my travel radius to cover the Chicago-land area, I have received approx. 30 leads within a 3-month time frame.
You will most likely receive feedback, based on your performance. It is to your best advantage to keep it all positive. Higher feedback will help you attract more leads. The feedback received affects the 5 star rating, but not how high a performer shows up in search results. The default search pulls a best match, which is based on location, category, and total booking dollars earned in the past 6 months through GigMasters. However, clients are able to sort the results by a variety of criteria, so that they can find what is most important to them. This includes the option to sort by rating (based on feedback) so be polite and professional with your clients! As a new musician, who has no feedback yet, you will have a "New Member" badge. This remains for 90 days, but you can remove it at any time. I think it is helpful, as it draws attention and clarifies why you might not have feedback yet.
For me, I feel the time at Gigmasters has been a good start during the slow season in my area. With spring time approaching, I am beginning to see more leads come in. I am very pleased that I can recuperate my 3-month subscription fee and earn an income with just one booking. But I want and expect more than that. And to make that happen, I will leave it to myself to tweak my settings and put together a more attractive profile.
If you have some time, look at profiles of bands like your own. Look at the performers who have booked several shows through Gigmasters. Try to create a similar presentation in regards to professionalism. The videos I have supplied are of horrible quality from a camcorder in my living room. Whereas a professional video makes a HUGE difference. I plan to pay some money and have someone create better promotional material.
Gigmaster Payments
You might be wondering what happens if a serious problem arises. I am glad that I don't have a good answer to that. What I can tell you is that Gigmasters gives you the option of requiring a non-refundable deposit. This is good for the client and the performer. In fact, I had a client once that demanded that I accept a deposit. She wanted to be sure that we would not back out. Providing the ability to pay a deposit gave her the assurance she wanted. In addition, Gigmasters also provides an optional contract that can be generated from your control panel.
I do not know what happens if a gig falls apart due to the client or performer. It's not something I really want to find out about. I do know that Gigmasters has an "Experience Team." I suspect that they are the people to contact if some sort of intervention is required.
Gigmasters takes 5% of the money you charge the client. You have the option of requesting that the client pay that 5%, or if you will cover it. Both have their advantages. Depending on the amount, the 5% could be significant enough that the client is more willing to hire you if you cover the Gigmasters fee. Also, it can make you stand out in your bid, even if it is a low amount. Of course, asking the client to pay it does not seem to be a big deal in my mind. They are the ones coming to the Gigmasters site in hopes of finding you, and I feel that in general, they are already prepared to pay a small fee for the Gigmasters service. Remember, Gigmasters is not just helping them find the right act, but it is providing a level of trust that they might not have otherwise.
Contacting Gigmasters
I have been as pleased as I possibly could with the help Gigmasters provides. They are efficient and fast. You will not find yourself waiting for a reply, and they are accessible by phone and email. If you have any questions, you can be sure that prompt attention will be given to you.
Do You Already Use Gigmasters?
If you have already used the Gigmasters service, it would be great to know how your experience has been. Tell us about your music and how the service has worked for you. And if you haven't used Gigmasters yet, and have a question, feel free to post it here. Of course, Gigmasters has their own FAQ area. But if you are looking for more of a personal opinion, this may be a better place to get an answer for that.





Nice review, Greg. Yeah GigMasters is a great site and gets musicians gigs for sure!
The kind words are always appreciated, Greg, and I’m seriously glad that you’re finding success with the site. (In interest of full disclosure, I work for GM. They didn’t ask me to write this, I just wanted to chime in.)
“I do not know what happens if a gig falls apart due to the client or performer. It’s not something I really want to find out about. I do know that Gigmasters has an “Experience Team.” I suspect that they are the people to contact if some sort of intervention is required.”
You’re spot on. Our Customer Experience team is reachable during normal business hours (8am-5pm EST, information at http://www.gigmasters.com/contact.aspx) and is available to handle these issues. The earlier we’re informed when there’s a potential issue (or even some concerns), the better. As far as exactly what happens, it’s a grey area – being a former CE rep myself, I can safely say that there’s no real definitive answer that covers the wide range of extenuating circumstances that can cause a booking to go sour. We deal with it on a pretty infrequent basis (the vast majority of our bookings go through just fine), but we have a lot of experience in trying to mediate these disputes, and more often than not both parties leave satisfied. You can’t please everyone all the time, but we’ll certainly try.
I don’t do much in the way of responding to customer inquiries anymore, but I’m more than happy to answer any questions anyone may have after reading this article. Feel free to fire them over to my email address (adancho [at] gigmasters.com) and if I can’t get to them, I’ll make sure to forward them over to someone who can.
Alex Dancho
Web Application Developer
GigMasters.com, Inc.
[...] turned up a particularly interesting article that we may have otherwise missed. The post, titled GigMasters Review for Musicians, was written by one of our members, Greg Percifield, who happens to also write for [...]
WHAT A SUCK UP ..DID THEY GIVR YOU A FREE “PROMO” membership
they are horrible,lazy,I have three people who quit,who are active
in vendors ..and they always blame them for “update” and it took
3 months to get photos included
what a joke..your wront wrong!
Hi Jim,
I wrote this review without anything free from the company. It was on my own experience. And to be honest, I have so far booked only a little money. Plenty to cover my membership cost, however.
So why am I so positive? I have received a lot of good leads. I didn’t win the bids because of my own failure to put together a quality promo kit.
I have compared mine to those artists that have booked several gigs and the difference is day and night. I am quite confident that once I improve my promo kit, and as the busy season approaches, I will have more successful opportunities.
One thing that I strongly believe in, no matter what it involves is that success comes from perseverance.
Gigmasters has been anything but lazy. I have written at least 2 or 3 times, and received very prompt replies, and have also spoken to their telephone support.
As far as uploading pictures goes, that is something that is done from your own computer, I don’t know why it took 3 months. It sounds like some information might be missing.
Anyhow, this is just my opinion. I try to be thorough with my thoughts before voicing them.
Hire a professional Hire DJ TIMEZ.com
If you are getting paid work from G/M you must be a single performer, the site states an average gig value of a mere $560 or so.
We are a band, G/M say our profile is “great” and we bid quickly. –But only 1 job in 9 mnths. Do they really exist or is it someone playing at ‘agents’ from their bedroom???
John, I don’t know about your profile. I was just stating my own experience. I have two profiles at Gigmasters, so that I could capture 2 key categories, but I will modifying one to focus on my solo act and keeping the other for my duo band. I have had a lot of requests for larger bands, that I’ve turned down. I wish I were playing “agent”, then maybe I’d be getting more out of this.
I don’t know. But I’m interested in seeing your profile. I seem to be getting about 1 or 2 per month right now. I’m sure that if I ever get around to providing better videos, we might do better. Here is mine:
http://www.gigmasters.com/pop-one-man-band/Greg-Percifield/
I don’t know what else to say? Organize your bids, and follow up with those that don’t follow up with you. I don’t even do that very much, but I don’t see how it could hurt.
I personally found this review to be very helpful, especially because it has come from someone with experience with the service. Thank you for being detailed and honest.
Hey, Greg! Thanks for your article, it is very interesting! Do you think that this service is valuable for bands that are promoting original music? My primary group is a trio that plays bluegrass and folk, heavy on the vocal harmonies. We don’t have a recording done yet, and we primarily play bluegrass standards and John Prineish material. Do you think that this service would be worthwhile? We are going after private parties and park and rec gigs as well. Let me know what you think!
This is a test. I submitted a lengthy commentary a week ago, that was never published. I would like to try again if this takes. Thanks.
I tried to post a commentary now for the second time, and it never shows up! Can you please advise? This is so frustrating. I am being very polite and factual. I can’t understand this. Thank you.
I see both of your posts. Maybe you need to refresh your browser or clear the cache.
Re: Gigmasters.. Does anyone know how to determine what price a given winning bid came in at? (that is, of course, when you yourself did not win the gig) Is there a tool on the GM site that provides this information? I’m just trying to develop a better sense of how to approach the bidding process. Thanks, Moons
In my own experience, I have never seen who won a bid that I lost or the amount that they bid at. I don’t think there is a tool that shows that information, but I could be wrong.
Just to throw a few ideas that you can try out:
1. Give a reasonable bid and in your description, let them know that you are flexible with the bidding. That creates a stronger opportunity to open up the dialogue. And getting the ball rolling is always a very positive step. If they don’t to pay so much and they would like to hire you, you can always adjust the bid.
2. Do some gigs for a lesser amount than what you would normally charge. This way, you can start getting some positive feedback on your profile. That feedback will build momentum, and the more positive feedback you receive could make it that much easier for the next person to choose you.
I did, and the comment still doesn’t come up. Here it is again. I would love an answer as to the issue as described below:
Our Italian/German/French ethnic troupe has been a premium member of Gigmasters for almost four years. The first year, we did get a few gigs, which encouraged me to continue with the service. One aspect I did like is the fact that our band came up closer to the top on Google and other search engines when one searched for “Italian Band” or “German Band”…I figured it was worth the several hundred dollars for that, and the one or two gigs we got that year.
But things have worsened considerably since that time. Despite the fact that we have a top star rating and reviews, plus decent videos and photos, and are very competitive in pricing with other ethnic bands, we haven’t had a gig from Gigmasters for the past two years!
There is a real problem with the fact that Gigmasters allows anyone to submit a request for proposal, without screening or asking for a small deposit (even $10) to insure they are bonafide potential clients.
In 2012, I responded to well over 100 gig requests! When I looked at my lead screen, I see that all but ONE of them hired someone from Gigmasters. What that means is that most of these people are either clients or musicians screening for quotes–with NO INTENTION of hiring a band from Gigmasters.
I’ve written to Gigmasters countless of times, suggesting they charge a minimal sum for a client to post. This would be an excellent way to prevent just anyone feeling out the musician pool to see what the current rates are, and going elsewhere.
You can imagine how tired I am of submitting quote upon quote, only to find out no one ever hired a Gigmasters band.
I hope Alex Dancho with Gigmasters will see and address this issue. I would be curious, too, if any other Gigmaster clients have experienced this same problem.
Our Gigmasters URL is:
http://www.gigmasters.com/Italianmusic/Roman-Holiday-Italian-Music/
and we would welcome any suggestions.
Thank you for allowing me to post on this site!
Giovanna, thank you for commenting on this. I looked at your profile, and was impressed by the presentation. I can see how your group would certainly be a hit for large venues and events. Forgive me for stepping in, but I seem to always have something I want to say about Gigmasters. I hope that they may address your issue, but I’d like to say a few things of my own…
As a sheet music ecommerce site and formally a social profile site for artists, I’ll be the first to tell you that so much has changed with Google. There are these relentless Panda and Penguin updates that are occurring. There are algorithm changes like nothing we’ve seen before. And despite best intentions, it does not always work out the way we’d all hope. One thing that I have done is build my own personal website in which I’ve integrated the Gigmasters booking form. I have also linked from different pages to my Gigmasters profile. You mentioned that you were placed near the top when searching for “Italian Band” or “German Band”. I’m curious as to how you are ranking these days with Gigmasters. Aside from driving traffic to your gigmasters page from Google (which I’m not sure is their primary objective), I would have to say that there is more to gigmasters than Google ranking. For me personally, I feel that they provide a lot of security for both the entertainers and those who are hiring. Especially when the client may be spending big money, as I assume they might for a presentation and performance like yours.
I’m going to stop there, because I hope that Gigmasters may reply here. Of course, they do have their own support phone and email. But let’s see. I wish you the best!
Dear Greg, Thank you for your kind reply.
To be honest, the primary benefit these days to Gigmasters membership is the fact that Google does find us, via Gigmasters.
If I had to rely on a Google search for “Italian Band” or “German Band” we would definitely fall short, and we thank Gigmasters for helping us rank up there on searches
HOWEVER, I am more concerned with the time and effort I spend responding to all these “leads” which seem, for the most part, to be bogus. Potential clients seem to be using Gigmasters to get an idea of what to pay any band they hire (which are all outside of Gigmasters). Again, I think Gigmasters should charge a minimum amount to post a lead! Even $10 might prevent all these so-called “leads” from pouring into my in-box. I respond immediately to each one, never hear back despite follow up telephone calls which are never answered, and see on my lead sheet they NEVER HIRED A GIGMASTER PERFORMER. Something really needs to be done about this.
Thanks Greg