This voice/guitar transcription of this set (originally for voice and piano) had been out of print for decades. A new introduction addresses this 1914 set. Spanish text only.

Manuel de Falla's music perfectly reflects the full-blooded passion and intellectual aspirations of early 20th century Spanish culture. His personal life seemed to echo the spirit of his times and the b...

Manuel de Falla's music perfectly reflects the full-blooded passion and intellectual aspirations of early 20th century Spanish culture. His personal life seemed to echo the spirit of his times and the b...

Guitar Solo

For Voice and Piano, inlcudes 'Tres Morillas', 'Oh Que Buen Amor...', 'La Guitarra Sin Prima', 'Aquel Sombrero De Monte', 'Polo Del Contrabandista', 'El...

Contents: Granada (Serenata) · Cataluña (Curranda) · Sevilla (Sevillanas) · Cadiz (Saeta) · Asturias (Leyenda) · Aragon (Fantasia) · Castilla (Seguidillas) · Cuba (Notturno).

Volumen 1 para canto y piano.

This cheerful little gem is based on the carol Feliz Natal. Skillfully arranged for the important grade 1 1/2 level (which is where young bands really begin to break away from the most basic concepts into ...

Transcriptions for voice and guitar by Venancio Garcia Velasco.

Las Canciones populares de Federico Garcia Lorca. Para Canto Y Piano.

This famous musician and priest was born in Calanda on the 4th of April of 1640. He studied and taught at the University of Salamanca as a profesor of music. He was the organist of the viceroy of Napoles. He...

Volume Two of Obradors' Canciones Clasicas Espanolas for voice and piano.

A second piano part is available (00404098).

Siete Canciones Populares Espanolas, version for voice and guitar. Includes parts for violin and cello.

Guitar Solo

Transcribed for Guitar duet by Emilio Pujol

Arranged by Marechal

Danzas Espanolas para piano sola.

A superb collection for solo piano by celebrated Spanish composers, works by I.Albeniz; M.Albeniz; Espla; Gombau; Granados; Halffter; Palau; Turina.

Guitar Solo

Transcribed for guitar by Miguel Llobet.

John Higgins brings his creative approach to this exciting piece in a style that will inspire your young players. With all its drama and intensity, this overture is a superb choice.

'Sevilla' Sevillanas, from Suite Espanola by Albeniz, transcribed for the guitar by F. Tarrega, revised by Miguel Llobet.

Albeniz' Sevilla, No.3 from the 'Suite Espanola', transcribed for the guitar by Celedonio Romero.

Siete Canciones Populares Espanolas version for viola and piano. Score and part included.

Arranged for guitar by Ramon Cueto.

The Serenata from the Suite Espanola Opus 47 No.1 for the Piano.

A unique collection of the finest Pasodobles for piano solo, a celebration of the traditional Spanish danceform.

'Oriental', Danza Espanola No.2 for the piano by E. Granados.

An exceptional collection of the finest Pasodobles for both piano solo and piano with voice, a celebration of theTraditional Spanish Danceform.

The Spanish Pasacalle is a very characteristic genre of Spanish musical tradition. It resembles the march but is more majestic and represents the air of pretentiousness that is so typical for the Spanish mal...

Eight pieces in one 'Spanish Suite' from Spanish pianist and composer, Isaac Albeniz who was born in 1860 and as a child prodigy, gave his first public concert on the piano at the tender age of 4. ...

'Sevilla' Sevillanas, No.3 de Suite Espanola Opus 47 for the piano, by I. Albeniz

Lirica Espanola - Volume Two of musical impressions of Spanish songs by Oscar Espla.

Danza Espanola No. 4 (Villanesca) by Granados for the piano.