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Hämmerklavier Part 1-4

'Hämmerklavier' is a full-length cyclical work. The composer tries casting off the straight-jacket of hide-bound musical traditions, sending the listener on a voyage of discovery and liberation. The 'Hämmer' of the title refers not to the action of the pianoforte nor to Beethoven's 'Hammerklaviersonate'...  (Schott)

Hämmerklavier Part 7-11

'Hämmerklavier' is a full-length cyclical work. The composer tries casting off the straight-jacket of hide-bound musical traditions, sending the listener on a voyage of discovery and liberation. The 'Hämmer' of the title refers not to the mechanical action of the pianoforte nor to Beethoven's 'Hammerklaviersonata'...  (Schott)

Breathless

Dissatisfied with computerized sounds the composer experiments exhaustively with the various techniques of playing two recorders simultaneously and requires advanced breathing abilities and proficiency of the performer.  (Schott)

Narziss

Moritz Eggert (born 1965, Heidelberg) studied both piano and composition in Frankfurt and Münich In 1989 he was one of the winners at the Gaudeamus-Wettbewerb, an international competition for performers of new music. One of his best-known works is the piano cycle Hämmerklavier. Following on from Ausser...  (Schott)

Hämmerklavier

Hammerklavier is a full-length cycle in which the composer sends the listener on a journey, a journey into the unknown; this journey presents itself as an act of unleashing, taking Eggert on a departure from the traditions of our planet. The title does not refer to a concert piano, nor to Beethoven's...  (Schott)