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Al Shlosha D'Varim - 2-Part and Piano

Using the universal language of music, Al Shlosha D'Varim conveys an important and universal theme through its beautiful simplicity. (4:00)  (CME Beginning Series) (2 part)
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Dodi Li

Dodi Li is a love song from the Old Testament book Song of Solomon.  (CME Beginning Series) (2 part)
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Hine Ma Tov - 2-Part and Piano

Written in the traditional Jewish Klezmer style, this piece incorporates the lively syncopated bounce feeling as well as the structured progressions between major and minor modes.  (CME Beginning Series) (2 part)
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Fairest Lady - (No. 7 from The Nursery Rhyme Cantata)

The words quote the old English lullaby Golden Slumbers that the Beatles also quoted on their Abbey Road album. Written for unison treble voices with descant and piano.  (CME Beginning Series) (Unison Treble)
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Good Night - A Russian Song

During the ISME World Conference helf at Interlochen National Music Camp in 1966, Russian composer Dmitri Kabalevsky taught this song to Doreen Rao as a symbol of their friendship.  (CME Beginning Series) (2 part)
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Mary Had a Little Blues - 2-Part and Piano

This is a free adaptation of nursery rhyme texts in blues style. Though written for 2-part treble voice and piano, a string bass and drum set could be added to form a rhythm section.  (CME Beginning Series) (2 part)
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The Path to the Moon - Unison

With words by Madeline Thomas, this piece is exquisitely written by Eric Thiman.  (CME Beginning Series) (UNIS)
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Jubilate Deo - 4-Part Treble a cappella

This delightful little piece is a canon that can be sung in two, three or four parts. An excellent teaching piece for solfa that can also effectively be used as a warm-up for the most advanced choirs.  (CME Beginning Series) (4 Part)
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Windy Nights

This setting of Robert Louis Stevenson's text is full of mystery and delight. Treble choirs will enjoy this piece as an introduction to part singing, full of teaching and performance possibilities.  (CME Beginning Series) (2 part)
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Hashivenu

Hashivenu is a melodic and hauntingly beautiful Hebrew song. The sound and meaning of the text is fundamental to the expressiveness of the song. Contains two arrangements: one for unison voices and piano, and one for SSA a cappella in canon form.  (CME Beginning Series) (SSA)
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